Meet Carolyn S. Parker:
A friendly, welcoming and observational woman whose passion for her home and community in the Lower Ninth Ward in New Orleans led to an angry and powerful speech at a meeting about the recovery plan after Hurricane Katrina hit in 2005.
After being told about plans to buy out residents and knock down the Lower Ninth, one of the worst hit areas, Carolyn S. Parker is mad as hell, and she lets them know about it. “I don’t think it’s right that you try to take my property. “Over my dead body. I didn’t die with Katrina.”
Director, Jonathan Demme headed out to New Orleans just after Katrina struck and there he met Carolyn Parker. He follows her quest to rebuild her home, her local church and get the community back together. You get to see her impassioned speech at that notorious meeting, fall in love with her and learn about the impact that political decisions had on her life.
Demme successfully shows the viewer an intimate portrayal of how Katrina impacted Carolyn’s family and the reasons why her home is so important to her. Carolyn Parker is a force to be reckoned with and watching her in action is an inspirational and emotional journey.


Seventy percent manifesto style monologue, poetry and longwinded explanations about existence; thirty percent striking images. A man lives a secluded existence in a cabin in the wilderness, writing his manifesto and sending letter-bombs to large corporations in his bid against a shifting society.

Producer, Editors and Eddie Vedder at TIFF 11 screening
A band born out of tragedy and the story that led to their much deserved place in music history and on-going success is told with such a wise and passionate hand by the editors (Kevin Klauber and Chris Perkel) and director Cameron Crowe it is hard not to feel nostalgic for the Seattle scene that spawned Pearl Jam.

Action movies get a tough time from critics, and sometimes unfairly so, but I can wholeheartedly say this piece of crap deserves every negative review it gets. Director, Gary McKendry came along to introduce his film and quipped about a reviewer who stated “this is exactly the kind of film that shouldn’t be shown at TIFF” – oh how we all laughed! Then the film began and quite quickly the realisation that the above statement couldn’t have been more accurate dawned upon the audience.

On one level this is a strange and affecting look into the mouth of madness; the world seen through the eyes of a man named Shu. On another, this is an interesting social commentary that delves into the urbanisation of China’s rural villages and the overwhelming reality that the country is shifting into a modern behemoth of money and power. Director Han Jie is confident and clear when delivering his portrait of the evolving landscape in china.
Monsters Club is a Japanese film directed by Toshiaki Toyoda showing at TIFF as part of the Visions programme.
A man abandons modern civilization and lives in a secluded cabin on a snowy mountain, sending mail bombs to corporate CEOs. One day, a mysterious creature appears before him…
Mr Tree is a Chinese comedy showing at TIFF as part of the Contemporary World Cinema programme. Directed by Han Jie, this is his second feature film and it looks sufficiently strange.
Into the Abyss is Werner Herzog’s latest documentary, it traces the legacy of a triple homicide in Texas, from the victims’ families to a man on death row.
It is showing as part of the Real to Reel season at TIFF 2011.
Sons of Norway is a coming of age film set in 1978 centering around a fourteen year old who loves The Sex Pistols. Directed by Jens Lien and showing as part of the Contemporary World Cinema programme at TIFF 2011.
The Descendants is part of the Special Presentations programme at the Toronto Film Festival this year. Directed by Alexander Payne who also brought us Sideways, About Schmidt and Election.
George Clooney plays the leader of a storied Hawaiian family as they are forced to decide what to do with their last, vast parcel of land. At the same time he learns a secret about his critically ill wife.
Trailer : Miss Bala.
Gerardo Naranjo’s latest feature, Miss Bala, explores the many extremes of modern Mexican society when the world of beauty pageants and the current drug war collide. Stunning Laura, the only witness to a night-club massacre by a group of narcos, realizes her goal of becoming Miss Baja California — although the gang’s hand in the coronation makes it fall short of what she had dreamed it would be.
One Sheet : Dark Horse.
The one sheet for the new Todd Solondz film, Dark Horse, is here. The film is about Abe, a 30-something male living with his parents, reluctantly working for his father while pursuing his hobby of collecting toys. To lose his “dark horse” status in the family, he’s also trying to spark a relationship with Miranda, who recently moved back home after a failed literary/academic career. Miranda agrees to marry Abe out of desperation, and things go awry from there.
Solondz will show the film at Venice and TIFF this year.